1
00:00:06,540 --> 00:00:08,119
Acting is not simply speaking.

2
00:00:08,340 --> 00:00:09,520
It's also listening.

3
00:00:10,240 --> 00:00:11,260
I should know.

4
00:00:11,760 --> 00:00:14,420
I've got 13 Tonys to prove it.

5
00:00:15,920 --> 00:00:17,580
She's got 13 Tony Awards?

6
00:00:17,940 --> 00:00:21,320
No, girl, she's done 13 commercials for
Tony's Leanin' Tower of Pizza.

7
00:00:23,000 --> 00:00:25,460
Partner up, thespians, and I'll give you
your assignments.

8
00:00:25,740 --> 00:00:27,780
And remember, this isn't just a scene.

9
00:00:28,160 --> 00:00:29,980
It's half your grade.

10
00:00:30,760 --> 00:00:31,820
So make it live!

11
00:00:38,410 --> 00:00:41,090
AD, I need you to do me a favor and ask
Tyrese to be a partner.

12
00:00:41,310 --> 00:00:42,249
What? Why?

13
00:00:42,250 --> 00:00:43,990
Because I don't want him to ask me.

14
00:00:44,350 --> 00:00:46,490
It would just be too awkward and too
complicated.

15
00:00:47,150 --> 00:00:48,470
I need you to run interference.

16
00:00:48,930 --> 00:00:51,850
Uh -uh, Sia. If he asks you, you just
need to be honest with him.

17
00:00:52,130 --> 00:00:53,130
Wait a minute.

18
00:00:53,430 --> 00:00:56,610
Since when did you become the poster
child for honesty and truth?

19
00:00:57,430 --> 00:00:58,430
Ring, ring.

20
00:00:58,550 --> 00:00:59,550
Hello?

21
00:00:59,850 --> 00:01:01,290
Oh, hi, Mr.

22
00:01:01,550 --> 00:01:03,370
Johnson. It's your father?

23
00:01:04,590 --> 00:01:05,870
Diabian said she was here?

24
00:01:06,300 --> 00:01:09,020
Well, that's funny, because I don't
think... Okay.

25
00:01:09,360 --> 00:01:10,380
I'll be his partner.

26
00:01:10,700 --> 00:01:16,820
I see you two in something sensitive,
powerful, a classic. A shaft in Africa.

27
00:01:18,020 --> 00:01:19,200
I don't think so.

28
00:01:19,520 --> 00:01:20,960
How about something by August Wilson?

29
00:01:21,660 --> 00:01:23,560
August Wilson? Yes, of course.

30
00:01:24,100 --> 00:01:29,540
I see you two in that scene from Seven
Guitars, where Floyd asked Vera to marry

31
00:01:29,540 --> 00:01:33,280
him. Oh, great. I love Seven Guitars.
Yeah, you know, I heard there was an

32
00:01:33,280 --> 00:01:35,100
eighth guitar, but he left the group to
go solo.

33
00:02:00,880 --> 00:02:03,760
Look me like you got to do what's right
for you.

34
00:02:14,260 --> 00:02:15,260
Lisa,

35
00:02:23,620 --> 00:02:27,440
you must know somebody without a wife,
drama, or living with his mama.

36
00:02:29,740 --> 00:02:32,380
Now that you mention it, I got this
friend, Kelvin. He just got out of a

37
00:02:32,380 --> 00:02:37,680
relationship, and he's cute, and he's
funny, and he's perfect for you.

38
00:02:38,020 --> 00:02:39,020
What's he look like?

39
00:02:39,260 --> 00:02:42,600
What's he look like? Monica, what
matters is what he brings to the table.

40
00:02:43,380 --> 00:02:46,000
Well, if he's funny looking, I'm not
sitting at that table.

41
00:02:47,780 --> 00:02:48,840
You know what? I'll tell you what.

42
00:02:49,320 --> 00:02:52,060
I'll invite him over for dinner on
Saturday night, and that way there's no

43
00:02:52,060 --> 00:02:53,620
pressure. I can deal with that.

44
00:02:54,400 --> 00:02:55,680
I already have something to wear.

45
00:02:56,560 --> 00:02:58,540
Well, then you better go get out of it
before you start sweating.

46
00:03:00,320 --> 00:03:01,320
Hi,

47
00:03:02,440 --> 00:03:03,960
girl. Hey. Bye, girl. Bye.

48
00:03:06,280 --> 00:03:07,820
Hi, mommy.

49
00:03:08,940 --> 00:03:11,720
Lisa, did I tell you your new haircut is
the bomb?

50
00:03:12,760 --> 00:03:13,760
Okay, what you want?

51
00:03:13,980 --> 00:03:16,420
Okay. We really need cable in our
apartment.

52
00:03:16,620 --> 00:03:18,420
There are so many educational programs.

53
00:03:18,620 --> 00:03:20,120
Yeah, like Celebrity Deathmatch.

54
00:03:21,840 --> 00:03:25,240
Okay. And since you already have cable
here, of paper, extra insulation.

55
00:03:26,020 --> 00:03:27,200
What? She said okay.

56
00:03:27,800 --> 00:03:29,100
Really? Yes.

57
00:03:29,840 --> 00:03:33,540
But I am not going to be the one here
from 8 to noon or noon to 5 waiting for

58
00:03:33,540 --> 00:03:35,280
the cable guy. I'm way too busy for
that.

59
00:03:35,620 --> 00:03:36,620
Yes, ma 'am.

60
00:03:36,740 --> 00:03:38,240
We need cable fiber.

61
00:03:38,540 --> 00:03:39,540
Yeah, fiber.

62
00:03:39,580 --> 00:03:40,580
That was so easy.

63
00:03:41,060 --> 00:03:42,420
Yeah, we should ask for satellite.

64
00:03:42,740 --> 00:03:43,579
I know.

65
00:03:43,580 --> 00:03:45,300
Then you would have got your feelings
hurt.

66
00:03:48,880 --> 00:03:49,940
Lloyd, where you been?

67
00:03:50,300 --> 00:03:51,300
Where you get off?

68
00:03:53,360 --> 00:03:56,420
You know better than to ask me where I
get anything.

69
00:03:57,020 --> 00:03:58,780
I took a chance.

70
00:03:59,840 --> 00:04:00,840
Hold up.

71
00:04:00,920 --> 00:04:04,220
What's with the old man river vibe? I
took a chance.

72
00:04:05,120 --> 00:04:06,600
47, not slow.

73
00:04:06,900 --> 00:04:09,940
I know, I know. Look, just relax, okay?
I'm still trying to find the character.

74
00:04:10,260 --> 00:04:11,800
Well, search a little further north.

75
00:04:13,360 --> 00:04:14,780
I took a chance.

76
00:04:20,170 --> 00:04:22,990
unless we're just over there rehearsing
this thing. Tia, who's your partner?

77
00:04:24,710 --> 00:04:25,850
Professor Weaver.

78
00:04:26,530 --> 00:04:28,390
We're doing a scene from her pizza
commercial.

79
00:04:29,510 --> 00:04:32,010
Look, in that case, why don't I teach
you to a slice of your homework?

80
00:04:36,450 --> 00:04:37,450
So,

81
00:04:40,050 --> 00:04:41,110
when are you guys getting cable?

82
00:04:41,510 --> 00:04:44,110
The cable guy is coming this Friday.

83
00:04:44,550 --> 00:04:48,690
Oh, when? In time for the Saturday
Chavez Jones fight? Well, uh, you know

84
00:04:48,990 --> 00:04:50,010
You guys should have a party.

85
00:04:50,970 --> 00:04:51,970
That's a great idea.

86
00:04:52,290 --> 00:04:55,110
Hey, Dee, heard about the fight party.
Thanks for the invite.

87
00:04:55,490 --> 00:04:56,490
You're welcome.

88
00:04:58,610 --> 00:05:00,050
Don't you just hate eavesdroppers?

89
00:05:05,790 --> 00:05:08,250
Monica, girl, you really put your foot
in it.

90
00:05:08,690 --> 00:05:10,450
Girl, you know that's my mama's foot.

91
00:05:11,930 --> 00:05:13,310
So did you call Calvin yet?

92
00:05:13,570 --> 00:05:16,170
Hey, girl, I'm not gonna call until
Thursday.

93
00:05:16,610 --> 00:05:17,970
I don't want you to look too desperate.

94
00:05:18,480 --> 00:05:19,159
Good thinking.

95
00:05:19,160 --> 00:05:21,700
You know, I could use that same tactic
with Anthony.

96
00:05:21,960 --> 00:05:22,960
Mm -hmm, that's a good idea.

97
00:05:23,840 --> 00:05:24,840
Who's Anthony?

98
00:05:25,000 --> 00:05:27,760
Just someone to keep you company while
I'm getting to know Kelvin.

99
00:05:28,360 --> 00:05:30,160
You know I'm kind of seeing Victor.

100
00:05:30,700 --> 00:05:31,820
Girl, you know the old plan.

101
00:05:32,140 --> 00:05:35,080
Until there's a ring, you can still have
a fling.

102
00:05:36,280 --> 00:05:37,280
Who can have a fling?

103
00:05:37,640 --> 00:05:40,280
Oh, what are you two doing home in the
middle of the day?

104
00:05:41,260 --> 00:05:45,320
Man, we've been waiting five hours for
the cable guy. On an empty stomach.

105
00:05:46,100 --> 00:05:47,100
Ooh, cake.

106
00:05:50,220 --> 00:05:52,460
Trust me, you'll like Anthony.

107
00:05:52,900 --> 00:05:54,340
He is really cute.

108
00:05:55,080 --> 00:05:58,680
Monica, you are the one that's into
looks. I just want a man who is

109
00:05:58,680 --> 00:06:01,740
with who he is and what he has, even if
it's not all that much.

110
00:06:02,080 --> 00:06:04,500
Did I mention he was fine?

111
00:06:05,460 --> 00:06:06,460
Okay, call him up.

112
00:06:08,080 --> 00:06:10,460
There goes that cable guy. What? He's
leaving.

113
00:06:11,260 --> 00:06:12,380
Okay. All right.

114
00:06:13,100 --> 00:06:14,100
Cool.

115
00:06:27,690 --> 00:06:28,690
hadn't tripped.

116
00:06:29,370 --> 00:06:33,210
Well, uh, you wouldn't have tripped if
you weren't running with the cake.

117
00:06:37,570 --> 00:06:42,010
Hello? Yes, um, I just missed the cable
guy and I need him to come back out

118
00:06:42,010 --> 00:06:43,010
today.

119
00:06:43,330 --> 00:06:44,330
Uh -huh.

120
00:06:45,170 --> 00:06:46,170
Uh -huh.

121
00:06:46,490 --> 00:06:47,490
Uh -huh.

122
00:06:47,950 --> 00:06:48,949
Too weak.

123
00:06:48,950 --> 00:06:51,750
What? Give me that phone. Let me see how
to handle business.

124
00:06:52,850 --> 00:06:53,850
Hello?

125
00:06:54,550 --> 00:06:55,550
Look here, man.

126
00:06:55,680 --> 00:06:59,220
We have a big fight party planned, and
we need that hookup no later than 4 p

127
00:06:59,220 --> 00:07:00,220
today.

128
00:07:00,340 --> 00:07:01,279
Uh -huh.

129
00:07:01,280 --> 00:07:02,280
Uh -huh.

130
00:07:02,800 --> 00:07:03,719
Thank you.

131
00:07:03,720 --> 00:07:04,720
Goodbye.

132
00:07:04,840 --> 00:07:05,799
They're coming out.

133
00:07:05,800 --> 00:07:07,120
When? In two weeks.

134
00:07:08,120 --> 00:07:10,300
Also, uh, that's how you handle your
business.

135
00:07:10,640 --> 00:07:11,639
Look, all right?

136
00:07:11,640 --> 00:07:13,460
Why don't we just move the party inside
the house?

137
00:07:14,040 --> 00:07:17,280
Can't. Lisa's having a dinner party. She
said the house was off -limits to

138
00:07:17,280 --> 00:07:19,180
anyone born after Lamont led Sanford and
Son.

139
00:07:19,520 --> 00:07:20,520
Who's Lamont?

140
00:07:20,560 --> 00:07:21,560
I don't know.

141
00:07:22,420 --> 00:07:23,900
We should just install the cable
ourselves.

142
00:07:24,620 --> 00:07:25,619
Why not?

143
00:07:25,620 --> 00:07:29,320
It's not like we're bootlegging it.
We're just doing the work for him, and

144
00:07:29,320 --> 00:07:30,099
still getting paid.

145
00:07:30,100 --> 00:07:31,860
So you down for the cause, my brother?

146
00:07:32,120 --> 00:07:33,660
I'm down, my sister.

147
00:07:34,840 --> 00:07:35,840
Now what do we do?

148
00:07:37,700 --> 00:07:38,700
Organize a revolution?

149
00:07:41,160 --> 00:07:43,480
Hi, I'm Fawcett Susie.

150
00:07:43,720 --> 00:07:45,900
Welcome to Tony's Leaning Tower of
Pizza.

151
00:07:55,280 --> 00:07:56,139
for today.

152
00:07:56,140 --> 00:07:59,280
As Antonio himself says, keep it fresh.

153
00:08:03,600 --> 00:08:05,420
Soon to be Mrs. Floyd, Bart.

154
00:08:06,200 --> 00:08:07,500
That is, if she'll say yeah.

155
00:08:08,580 --> 00:08:11,600
I wanna say yeah, but what am I saying
yeah to?

156
00:08:12,380 --> 00:08:14,500
Hey, hey, do you guys wanna go to lunch?

157
00:08:14,880 --> 00:08:17,280
I wanna say yeah, but we gotta work on
this thing.

158
00:08:17,960 --> 00:08:19,200
Okay, well, I'll see you guys later.

159
00:08:19,560 --> 00:08:20,479
I'll see you, too.

160
00:08:20,480 --> 00:08:21,399
Bye.

161
00:08:21,400 --> 00:08:22,820
Oh, you know what?

162
00:08:23,100 --> 00:08:24,100
Come up here.

163
00:08:25,160 --> 00:08:29,520
And this time, Diabian, I want you to
concentrate, okay? Think Floyd and Vera,

164
00:08:29,700 --> 00:08:32,580
okay? And Tyreek, who needs an A on this
assignment.

165
00:08:32,860 --> 00:08:33,919
And so does Diabian.

166
00:08:35,340 --> 00:08:36,980
Let's go from Pittsburgh to Chicago.

167
00:08:37,200 --> 00:08:38,200
I'm with it.

168
00:08:42,260 --> 00:08:43,500
Pittsburgh to Chicago.

169
00:08:44,800 --> 00:08:48,260
Yeah, and I told the men to write your
name on it, and then I called down there

170
00:08:48,260 --> 00:08:52,240
to the Delaware Towers Hotel, you know,
State Street, and I told them to get

171
00:08:52,240 --> 00:08:53,540
ready their finest room.

172
00:08:54,140 --> 00:08:55,380
For Miss Vera Dotson.

173
00:08:59,080 --> 00:09:01,000
Soon to be Mrs. Floyd, Barney.

174
00:09:01,880 --> 00:09:05,000
That is, if she say yes.

175
00:09:06,480 --> 00:09:09,460
I want to say yeah, but what am I saying
yeah to?

176
00:09:10,560 --> 00:09:11,560
Another heartache?

177
00:09:11,960 --> 00:09:15,120
Another time for you to walk out the
door with another woman? No, Vera, look,

178
00:09:15,160 --> 00:09:15,999
you try me.

179
00:09:16,000 --> 00:09:19,060
Try me one more time and I'll never jump
back on you again in life.

180
00:09:24,520 --> 00:09:26,740
I went down to the Greyhound bus
station, too.

181
00:09:29,300 --> 00:09:30,300
Here.

182
00:09:32,040 --> 00:09:33,080
It said one way.

183
00:09:34,120 --> 00:09:35,120
Chicago to Pittsburgh.

184
00:09:36,520 --> 00:09:39,520
Now, I'm going to put that in my shoe,
and when we get to Chicago, I'm going to

185
00:09:39,520 --> 00:09:40,520
walk around on it.

186
00:09:42,340 --> 00:09:44,100
I hope I never have to use it.

187
00:09:46,360 --> 00:09:47,360
Look at me.

188
00:09:48,620 --> 00:09:49,620
You won't.

189
00:10:13,740 --> 00:10:17,700
I don't think that was in the script.
You know what? I think Floyd, he just

190
00:10:17,700 --> 00:10:20,120
caught up in the moment. Okay, that's
enough rehearsal for the day.

191
00:10:20,320 --> 00:10:21,320
I have to go.

192
00:10:43,210 --> 00:10:44,210
garage roof.

193
00:10:44,230 --> 00:10:45,770
Keep moving, honey.

194
00:10:48,710 --> 00:10:52,810
Oh, my gosh.

195
00:10:54,470 --> 00:10:57,190
I feel so alive up here.

196
00:10:57,750 --> 00:11:00,610
And if you fall, you'll feel so dead
down there.

197
00:11:02,870 --> 00:11:03,870
Okay.

198
00:11:06,230 --> 00:11:07,230
All right.

199
00:11:08,070 --> 00:11:09,070
Where's the cable?

200
00:11:10,030 --> 00:11:11,190
Right down the grass.

201
00:11:14,919 --> 00:11:17,020
Tamara, you were supposed to bring it
up, remember?

202
00:11:17,660 --> 00:11:19,740
I was bringing the tools and you were
carrying the cable.

203
00:11:20,740 --> 00:11:24,900
I thought I was bringing the tools and
you were carrying the cable.

204
00:11:25,320 --> 00:11:26,340
Then where are the tools?

205
00:11:27,560 --> 00:11:28,560
Hello?

206
00:11:28,700 --> 00:11:29,820
You have them?

207
00:11:32,600 --> 00:11:35,420
Okay. All right, I'm gonna go down there
and get the cable.

208
00:11:35,900 --> 00:11:36,900
Please don't move.

209
00:11:37,420 --> 00:11:38,420
I'm on a roof.

210
00:11:38,600 --> 00:11:39,600
Where am I going?

211
00:12:12,840 --> 00:12:14,000
You quiero Taco Bell?

212
00:12:23,820 --> 00:12:24,820
Ow!

213
00:12:25,320 --> 00:12:26,319
Look out!

214
00:12:26,320 --> 00:12:28,080
I mean, sorry!

215
00:12:32,340 --> 00:12:36,200
I thought I asked you not to move.

216
00:12:49,160 --> 00:12:50,460
That's right. All right. Cool.

217
00:12:51,100 --> 00:12:52,100
Looks pretty simple.

218
00:12:52,540 --> 00:12:54,700
All right. Oops. Excuse me. Where's the
drill?

219
00:12:57,260 --> 00:12:58,520
Next to the screwdriver.

220
00:13:00,720 --> 00:13:01,760
I'll be right.

221
00:13:48,910 --> 00:13:49,910
Thank you so much.

222
00:13:51,470 --> 00:13:53,450
What in the world is going on up here?

223
00:13:54,390 --> 00:13:58,290
You told us we could get cable. You said
that. So, um, um, um, we planned this

224
00:13:58,290 --> 00:14:02,670
fight party. Fight party. And we missed
the cable. I don't believe you two.

225
00:14:03,270 --> 00:14:06,070
I know, I know. We're sorry. Oh, yeah,
you certainly are.

226
00:14:06,650 --> 00:14:09,230
Everybody knows you can't bootleg cable
without this.

227
00:14:42,990 --> 00:14:44,350
Flipping through your scene.

228
00:14:44,670 --> 00:14:48,910
And, um, my version doesn't seem to say
they kiss.

229
00:14:52,290 --> 00:14:56,590
Look, if you'll sit down, I can explain.
Oh, the truth can reach me up here.

230
00:14:56,770 --> 00:14:57,769
Here.

231
00:14:57,770 --> 00:14:58,770
Please.

232
00:15:05,750 --> 00:15:06,750
Look,

233
00:15:08,550 --> 00:15:11,370
it was nothing. All right, Tyreek and I
were just acting.

234
00:15:13,520 --> 00:15:14,640
You deserve an Oscar.

235
00:15:15,780 --> 00:15:19,120
Because when I came in to get my book, I
saw a heck of a performance.

236
00:15:21,720 --> 00:15:23,220
How could you do this to me?

237
00:15:25,140 --> 00:15:26,360
Do what to you?

238
00:15:26,880 --> 00:15:30,800
You're not dating him anymore. Yeah, but
the point is, you shouldn't have kissed

239
00:15:30,800 --> 00:15:31,800
him.

240
00:15:32,080 --> 00:15:33,400
He's my ex -boyfriend.

241
00:15:33,640 --> 00:15:36,200
Who you claim you don't care about.
Yeah, but that doesn't make it all

242
00:15:36,240 --> 00:15:37,280
No, it's not all right.

243
00:15:37,860 --> 00:15:39,560
It's this little game you keep playing.

244
00:15:40,250 --> 00:15:43,050
One day you like him, the next you
don't. One day you're into him, the next

245
00:15:43,050 --> 00:15:44,050
you're over him.

246
00:15:45,570 --> 00:15:48,410
You know what? You're not mad because
you think I like Tyreek.

247
00:15:48,870 --> 00:15:50,390
You're mad because you still do.

248
00:15:59,610 --> 00:16:06,490
Hey, remember that wild girl you always
try to fix me up

249
00:16:06,490 --> 00:16:07,750
with? What was her name?

250
00:16:09,640 --> 00:16:11,220
Charlene. What has she been doing
lately?

251
00:16:11,700 --> 00:16:13,440
She made a fortune in the stock market.

252
00:16:13,800 --> 00:16:14,800
You still have her number?

253
00:16:21,720 --> 00:16:22,720
Hi,

254
00:16:22,880 --> 00:16:25,940
come on in. Lisa, this is Anthony.

255
00:16:26,440 --> 00:16:27,440
Anthony, Lisa.

256
00:16:27,580 --> 00:16:28,840
Nice to meet you, Lisa.

257
00:16:29,180 --> 00:16:33,860
Oh, come on in and meet Calvin. Calvin,
this is Monica and Anthony.

258
00:16:34,080 --> 00:16:36,040
How you doing, man? How you doing, man?
All right, all right. Well,

259
00:16:37,200 --> 00:16:42,140
Monica. Now, I can't believe Lisa forgot
to tell me how beautiful you are. I

260
00:16:42,140 --> 00:16:43,160
can't believe it either.

261
00:16:44,160 --> 00:16:45,880
Lisa, come show me where you keep the
coasters.

262
00:16:46,100 --> 00:16:47,100
Oh, yeah.

263
00:16:47,160 --> 00:16:48,540
They're right there on the table.

264
00:16:48,840 --> 00:16:50,400
I mean the kitchen coasters.

265
00:16:51,720 --> 00:16:52,720
Still good.

266
00:16:56,700 --> 00:16:57,700
Okay, go ahead.

267
00:16:57,760 --> 00:16:58,760
Give me my props.

268
00:16:59,180 --> 00:17:00,900
Props? Did you see that smile?

269
00:17:01,520 --> 00:17:03,160
What's he all happy about?

270
00:17:10,190 --> 00:17:11,550
I'm beginning to see why you're alone.

271
00:17:11,770 --> 00:17:12,669
You're too picky.

272
00:17:12,670 --> 00:17:15,349
Now, you don't see me complaining about
Anthony's five -year -old shoes.

273
00:17:15,990 --> 00:17:17,470
Okay, okay, I hear you.

274
00:17:17,690 --> 00:17:21,589
I guess it's time to start settling.
Yeah, and whatever you do, do it with a

275
00:17:21,589 --> 00:17:23,770
smile. Now, come on, girl.

276
00:17:24,290 --> 00:17:25,530
Five -minute waiting.

277
00:17:29,990 --> 00:17:30,990
Oh,

278
00:17:33,770 --> 00:17:36,430
Anthony, what do you do?

279
00:17:37,150 --> 00:17:38,190
Uh, I'm a musician.

280
00:17:38,810 --> 00:17:42,210
In fact, I just came from a gig. Oh, I
love music.

281
00:17:42,510 --> 00:17:46,550
What instrument do you play? I'm a
percussionist. Oh, a drummer.

282
00:17:47,590 --> 00:17:49,730
Actually, I'm working in an experimental
ensemble.

283
00:17:50,010 --> 00:17:53,050
Right now, I'm working with sandpaper
and a pine cone.

284
00:17:54,030 --> 00:17:59,350
But what instrument do you play?

285
00:17:59,650 --> 00:18:01,450
Oh, sandpaper and a pine cone.

286
00:18:08,330 --> 00:18:11,870
Of course not. You know, artists like
myself, we have to have a day job to pay

287
00:18:11,870 --> 00:18:12,389
the rent.

288
00:18:12,390 --> 00:18:13,289
Oh.

289
00:18:13,290 --> 00:18:14,390
So, what do you do?

290
00:18:14,870 --> 00:18:16,490
Well, you know where the Renaissance
Center is downtown?

291
00:18:17,370 --> 00:18:21,850
That tall building with all the GM
executives in it? Yeah, yeah. I manage

292
00:18:21,850 --> 00:18:23,130
newsstand right in front.

293
00:18:25,730 --> 00:18:27,030
Monica, can I see you in the kitchen?

294
00:18:51,080 --> 00:18:57,880
room talking music with anthony oh you
you having a good time not really

295
00:18:57,880 --> 00:19:02,100
what is wrong with your friend i mean i
smile at her she frowns i shake her hand

296
00:19:02,100 --> 00:19:06,620
she freezes up well you just gotta get
to know her no i don't lisa this just

297
00:19:06,620 --> 00:19:10,600
isn't working out you make my apologies
yeah i'll call you later

298
00:19:19,950 --> 00:19:21,830
Well, Anthony could tell you didn't like
him either.

299
00:19:22,170 --> 00:19:23,170
He's sensitive.

300
00:19:23,490 --> 00:19:24,490
He's an artist.

301
00:19:24,990 --> 00:19:27,390
Well, he may be an artist, but he's no
prince.

302
00:19:29,130 --> 00:19:31,350
Well, I guess I'm back to kissing frogs.

303
00:19:32,870 --> 00:19:36,030
Well, you know what? Who needs those two
when we got some good hot gumbo and a

304
00:19:36,030 --> 00:19:37,030
good fight?

305
00:19:37,350 --> 00:19:39,930
Your gumbo's good, but I'm not gonna
fight you for it.

306
00:19:40,830 --> 00:19:42,450
I was talking about the fight on cable.

307
00:19:43,490 --> 00:19:44,490
I knew that.

308
00:19:45,670 --> 00:19:46,750
No, you didn't.

309
00:19:57,480 --> 00:19:58,480
Hey, Tiff.

310
00:19:59,940 --> 00:20:00,940
Hey.

311
00:20:01,220 --> 00:20:02,500
Hey, listen.

312
00:20:03,200 --> 00:20:06,900
About the IVF. Tyreek, you don't have
to. No, no, no, no, no. But I want to.

313
00:20:07,540 --> 00:20:08,900
Okay, look, we're just friends.

314
00:20:09,180 --> 00:20:10,560
And there's nothing going on.

315
00:20:13,260 --> 00:20:14,520
Well, thank you for telling me.

316
00:20:16,100 --> 00:20:17,100
Tiff, will you get that, please?

317
00:20:23,380 --> 00:20:24,380
Hey.

318
00:20:27,240 --> 00:20:29,700
Is there room at this party for a friend
who's sorry?

319
00:20:32,280 --> 00:20:36,900
Only if she's willing to forgive a
friend who briefly lost her mind.

320
00:20:37,300 --> 00:20:40,440
Well, I did come down a little hard on
you. You think?

321
00:20:43,420 --> 00:20:47,820
Hey, but, you know, you did say some
things I needed to hear.

322
00:20:49,820 --> 00:20:51,340
So, how's your party?

323
00:20:52,180 --> 00:20:53,180
My party?

324
00:20:53,540 --> 00:20:55,200
You invited half these people.

325
00:20:55,710 --> 00:21:02,590
true that hey bill mike come on you guys
you're gonna miss the fight and you

326
00:21:02,590 --> 00:21:06,210
all have me to thank that's right just
call me the camel guy i give it to you

327
00:21:06,210 --> 00:21:10,230
dog you hooked us up that's right you
mean we hooked us up

328
00:21:10,230 --> 00:21:17,170
ringside at the world famous mgm grand
hotel for the fight of

329
00:21:17,170 --> 00:21:18,170
the year

330
00:21:28,400 --> 00:21:29,400
I'll just plug it in.

331
00:21:30,100 --> 00:21:33,700
Hurry up. You can't. You broke it inside
the wall.

332
00:21:34,060 --> 00:21:35,980
I thought I told you to wrap that spike.

333
00:21:36,240 --> 00:21:37,960
And I told you I didn't know what that
meant.

334
00:21:38,820 --> 00:21:42,100
You are not blaming this thing on me.
What are you saying? It's my fault?

335
00:21:42,400 --> 00:21:44,340
It's Chavez Jones. We got to fight right
here.

336
00:21:46,440 --> 00:21:53,220
If we can learn how to throw, yeah, that
line

337
00:21:53,220 --> 00:21:54,900
is hard to do. We're going to be
fighting.

338
00:21:55,400 --> 00:21:57,440
Yeah. Weaver. Yeah, Weaver.

339
00:21:57,790 --> 00:21:58,509
That's a name.

340
00:21:58,510 --> 00:21:59,510
Great.

341
00:22:00,470 --> 00:22:02,930
We can learn how them thongs... Yeah,
that line.

342
00:22:03,770 --> 00:22:04,770
We go from there.

343
00:22:04,990 --> 00:22:05,990
I'll be his partner.

344
00:22:06,070 --> 00:22:07,070
Oh!

345
00:22:10,870 --> 00:22:12,710
Wait, what was I supposed to say?

346
00:22:13,050 --> 00:22:16,030
There's always... Oh, I'm sorry, my bad.

347
00:22:16,330 --> 00:22:17,330
If we can run...